Jud Turner: “I create artwork which embraces opposites — the tension between humans and nature; the perils of balancing biology and technology; or the combination of ancient fossils with modern machinery. I also engage contradictions by the materials I choose — human forms which appear solid and realistic, but which were made with a delicate surface of thin wire, allowing the viewer to see through the figure; or by mixing the sense of scale in a piece, using large items alongside tiny pieces.“ (more…)

Is it sculpture, installation or wearable art? No clue. But no matter, how Nick Caves Soundsuits are classified – they are amazing.
“Metal armatures adorned with a range of objects including painted ceramic birds, flowers, brass ornaments, and strands of beads, top the figures and serve as headdresses that activate the sculpture and provide a visual and textural contrast to the soft bodysuit.

Soundsuits, named for the sounds made when the sculptures are worn, are as reminiscent of African and religious ceremonial costumes as they are of haute couture. A multitude of references bring to mind not only disparate cultural traditions but they also highlight Cave’s diverse background and artistic training. (more…)

If it´s the knitted curiosities crafted by Donna Wilson and Vík Prjónsdóttir, soft flowing noble-creations from Louise Wahlgreen and Patafisic or the progressive knit-provocations by Sibling and cooperativedesigns – for me, knit is one of the most fascinating division in fashion design. As more designers I detect, as more excited I am, about the plurality of creations that come out of simple balls of wool.
And so, as a matter of course, there´s no getting around Sandra Backlund…. (read on) (more…)

Photo via Steve Bishop